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Drop 2 Voicing Reference

Cm(maj7) — Drop 2 Voicings

C · Eb · G · B

▶ Click any diagram to hear it played.

Root
Other chord tones

Low E string on the left, high e on the right. Each column climbs the neck, position by position; the open-position voicing is fixed to this key. Some voicings are extremely difficult or impossible — attempt at your own risk.

Tensions Over Every Bass Note

What each note in Cm(maj7) becomes when you slide the bass underneath it, chromatically through all twelve — plus the normal chord symbol, wherever the resulting stack has one. Click any chord symbol to hear it played over that bass note, or click a bass note itself to drone it while you try voicings above.

BassTensionsAlso known as
Cb3 (or #9)  5  7▶ Cm(maj7)Try it in: Melodic Minor · Harmonic Minor · Lydian ♯2
Db7  9  #11 (or b5)  b7—
Db7  b9  11 (or 4)  13 (or 6)▶ D(b9, 11, 13, b7)Try it in: Dorian ♭2 · Locrian ♮6
Eb13 (or 6)  3  #5 (or b13)▶ Eb+ (add 13)Try it in: Lydian Augmented · Ionian ♯5 · Ultra Locrian
E#5 (or b13)  7  b3 (or #9)  5▶ Em(maj7) (add #5)Try it in: Harmonic Minor · Hungarian Minor · Neapolitan Minor
F5  b7  9  #11 (or b5)▶ F9#11 (no 3)Try it in: Lydian Dominant · Dorian ♯4
Gb#11 (or b5)  13 (or 6)  b9  11 (or 4)—
G11 (or 4)  #5 (or b13)  3▶ G+ (add 11)Try it in: Mixolydian ♭6 · Ionian ♯5 · Phrygian Dominant
Ab3  5  7  b3 (or #9)▶ Abm(maj7) (add 3)Try it in: Lydian ♯2 · Augmented
Ab3 (or #9)  #11 (or b5)  b7  9▶ Am7b5 (add 9)Try it in: Locrian ♮2 · Dorian ♯4
Bb9  11 (or 4)  13 (or 6)  b9—
Bb9  3  #5 (or b13)▶ B+ (add b9)Try it in: Altered · Phrygian Dominant · Ultra Locrian